Chet, shmet. This blog entry is about me and where i was.
All the names are changed to protect the innocent.
The plane was full. These days, this is always the case.
We took off from Austin. It was hot. Of course it was.
Couple of hours later we landed in Orlando. Disney World is there and it's apparent; you can't swing a dead roadrunner without hitting some sort of cartoon figure.
A short six hours later we landed at Logan in Boston. Not a new airport. Grey walls, grey air and dirty windows.
Half hour later, i was sitting in the front seat of my son's car. God it was nice to see him. Too too long. Too long. He looked great.
Another half hour later we are sitting in his kitchen. I'm drinking the one beer that was in the fridge and the three of us are chatting. His favorite girl is making a dinner of tofu and beans and greens and garlic and quinoa. It was 11:30 PM. They eat late apparently. It was good to see her. She looked good too. Maybe we all looked good.
It was the first of many late nights. I got to bed after 2 but slept better than i do at home. Go figure.
Next morning Z drove me over to Brighton Ave to pick up my rental car: a 2009 PT Cruiser...with no cruise control. Go figure.
I love to drive and the day was spectacular, one of those clear crisp early Fall days you get up in the Northeast, just before it gets cold and everything goes to shit.
The first person i meet on this trip turns out to be an old gnarled-hand farmer somewhere between Albany and Cazenovia on old Route 20 west. I got off the thruway because that's what i do: i explore new things.
A roadside sign talking about farm fruits and vegetables caught my eye. and although i passed it one way, i decided to break with tradition and turn around and go back. I was glad i did.
He was just coming in from the fields when i pulled in the U-shaped gravel driveway in front of his ramshackle farm house. the place was a mess. peeling paint, sagging foundation, bulging walls.
He looked to be about 65, his tan face showed the deep furrows of an 80-year-old. he spoke with an even tone, and he smiled readily.
but it was his hands that struck me. workingman hands. dark, shrunken skin belying their massive size. dirty. real dirty hands, fingernails chipped, black under the leading edges. grease on his sleeves.
his teeth were brown and pointy. i think he used to have more of them as there were gaps between the ones that showed when he smiled.
i bought some of his apples (which turned out to be crisp and tart empires) and some of his grape tomatoes (which i snacked on for the next 800 miles or so)
Neither of these he actually grew himself. He confessed that he buys them somewhere else. Yep.
Next person up on my little voyage upstate was my brother. he's my older brother but just barely; he's one year ahead of me, chronologically that is. In other ways, he's miles in front. He's very driven and very successful in the business world. More power to him. He's a nice guy dedicated to making good.
I didn't see him for very long, just a few hours while watching a television show about the guy who is really smart yet very physically fucked. Poor guy. Not really poor though. Very rich in many ways other than physical. I bet he's a great guy too, in addition to being touted as the smartest astrophysicist in the world. Man he's a challenge to look at though.
Anyway, my bro and i talked some talk and then hit the hay, me to my second garret above the garage, he to his front bedroom where his best girl was already snoring. She wasn't up when i got there at 9 although i think i heard her banging around back there from time to time. They get up so early.
So i got up next day and took off for ithaca. i went to my friend's place and we spoke of elemental psychological emotional spiritual things. Our usual. It was good, it always is. he hadn't been at all communicative despite my best email and phone efforts so i made sure to let him know i wasn't pleased. i just asked him how is job was going. had he received any of my emails or phone calls. his responses and mild admittance of culpability satisfied me and we moved on.
I asked him how he spends his days. He told me. I described my days and we moved on. I love talking to him. i wish we could do it more often. i invited him once again to austin. he won't come. for a hip committed to awareness-kind-of-man, he's pretty well set in his ways.
I went to Jim's. I found him outdoors reading and studying his Hellenistic Astrology. it was a warm day and i was gratified to find him clothed, albeit shirtless. we shared some very interesting conversation as always. very interesting.
he is convinced after hearing what i've been up to and after catching me up on his work situation and the kids etc., that i need to put more energy into recollecting feelings of joy that live in my soul.
Apparently in our souls there exists a warehouse full of all the feelings we've ever experienced. so my job is to recollect and collect again all the feelings of joy i can in my life. those times when everything was so positive and good and easy and happy and peaceful (a la Billy Pilgrim in Vonnegut's 'slaughterhouse five.'
The other thing i have to do is to ask the universe to show me my next 'right' place in the world. my next right thing, the next thing that is just right for my next step in the world.
he said that if i am experiencing success in music then i should by all means keep going in that direction.
so this felt right. this felt good and sensible and doable. we spent a few minutes in the house going over my chart in terms of his new Hellenistic Astrological viewpoint. He played through a few pieces on his beautiful Mason. he is an incredible pianist. amazing. he shared some techniques with me.
I asked him about fingering patterns for scales and tension in my arms and hands and whatnot. he explained that one of the first things he learned as a young piano student, was to immediately tuck his thumb under when his index finger was on the keyboard.
finger/thumb under.
finger/thumb under.
finger/thumb under.
so when i start playing again, i'll practice that.
He also described the difference between pushing down on the keys as opposed to pulling. you stroke the keys. that's another thing i'll pick up on when i start playing again.
it was getting late and i still had to go up to the storage unit to pick up my congas and make the drive to Syracuse so we said our goodbyes.
So i drove off in the breezy sunshine heading north. i decided to give my sneaker shopping a try so i stopped in to the Pyramid Mall. Good ole pyramid mall. Good ole Mall...came up short though. no problem. gosh it was a beautiful day.
next up...Dane. Damn what a long time it had been since last we were together. so long. so much had happened during that time. so much. i was interested to see what he looked like.
when i got there he was sleeping on the couch. anticlimax? a little. but it was fine. We had a little time till we needed to fetch Chris at the train station so we decided to take a walk.
we talked as we walked. his dog rita was on a leash until we got to the school playground. as we strolled on the damp grass we took turns answering each other's questions about our respective lives and the twists and turns they had taken during the 15 years since we were together.
he told me that he had given up on finding a companion. that he had been with many during the last 20 years but none stuck. i felt bad for him. but i totally understand the sentiment.
it takes just as much emotionally imbued thought to seek a relationship as it does to maintain one. the logistics alone is enough to be all right with staying in on Friday night despite the wretched feeling of being alone when no one else is.
life lived alone is an acquired taste for most of us. I found out i haven't the stomach for it. at least not now.
Showing posts with label soul. Show all posts
Showing posts with label soul. Show all posts
Thursday, October 1, 2009
Back from not here
Labels:
family,
lonliness,
meditation,
relationships,
soul,
strangers,
travel
Wednesday, September 16, 2009
Considering the Connection between Emotion and Melody

I took a bike ride.
I was forced to on account of there was so much noise and disruption outside.
Utility crews are fixing some broken dirt. They must be using really dull tools. Either that or they're just plain having fun; little big boys playing together, with big ass equipment. Fun for the entire family. Loud fun.
Anyway i wrote the following while sitting on my favorite pedestrian bridge in Austin. It's one of several bridges spanning the Colorado River as it meanders thru the Capitol City. the bridge does a little meandering itself as its not straight; it undulates, wiggles its way across the green fast-moving water.
Trouble is, the city insists on calling it a lake. Which is puzzling because it's not. Not really.
When i first visited Austin i remember wondering why they named it Town Lake. It's clearly not a lake; it's clearly a river. Lakes are big and somewhat entire--monolithic like a pond or something, not straight and narrow like a...a river. Lakes are supposed to have an inlet and an outlet, at least that's what my Earth Science book claims.
Anyway they changed the name. It's not Town Lake anymore (although why they went with something as prosaic as Town Lake i've no idea). Now it's Lady Bird Lake (which you might find head-scratcher as well, that is,if you didn't happen to know that Lady Bird, silly sounding name as it is, happens to be the dead wife of one of our dead presidents: a Texan by the name of Lyndon Johnson. .
Yeah, so i sat down in the sunshine on this serpentine bridge that connects North with South and i wrote this: It concerns the mystery of Music.
After slugging my way through 'It Could Happen to You' this afternoon it occurs to me that perhaps the thing that eludes me--the element that remains missing--that has been missing all these years--is not so much an element at all but an attitude.
Benedictine monk Brother David Steindl Rast tells a story. He says that we have sometimes a grasping, clutching attitude towards life.
Says that we're all born with this 'monkey brain'-sort-0f-deal. I can totally see what he means. I mean it seems most of us are walking around with a fair amount of caution., some would say uncertainty, maybe even dread. And our response to this tenuous planetary life we got going here can sometimes be to hold on to what we DO have lest it too slips from our grasp.
Think about it:
What is the first thing a doctor does when we are born? He or she shakes the table or slaps the bottom of our feet, or cuffs our butt, to see if we are alive and well. And what is our response? we reach out for something to hold. like a monkey trying desperately to hold on to its mother as she swings from branch to branch.
This response to life extends past diapers, touching even the most basic of human needs: the quest of the human heart for meaning.
Br. David talks about the dilemma we so often face in life: whether to play it safe, take no risks, keep everything on an even keel so as to avoid the oftentimes troublesome unknown or do we venture past our comfort zones, test the boundaries set by inertia, and run the risk of tribulation?
until we discover that the truth is something that HOLDS US, that we give ourselves to it and then it holds US.
Not something that we hold onto, that we grasp and clutch to our breasts like the monkey clinging to its mother.
This becomes an attitude held in us, by us.
And this is what i am wondering about as i sit here on this breezy sun-drenched wavy gravy bridge.
This 'element', this 'attitude' about what it means to create music, to play 'good,' is it something i can give myself to and then let it hold me
or is it something that i must struggle to acquire then maintain and rigidly hold, wielding it like some Medieval knight crashing into battle?
Is this idle curiosity? NO.
This project, this all-inclusive resort for the high-minded that i've begun, has put me touch with all the elements of music that have baffled me since i first remembered that i wanted to play something 'good.'
Part of the project is me acting like i know how to do this shit. i know how to come up with changes, i know how to comp, i know how to engineer, i know how to improvise, i know how to operate instruments and on and on. Really?
So as i struggle to play what i hear, to sing the notes i hear in my head, to sound like a musician that has something meaningful to say, this one thought remains: what's it take to translate emotion into music?
I know this question yet its answer continues to elude me. But maybe this concept of attitude, once thoroughly adopted, is the same kind of deal: Brother David's deal.
Maybe this attitude about playing a melody--any melody--be it my own, the head of a tune, a solo line--maybe the element that is missing in me is not something that is studied and acquired and held on to and hauled out when the time is right.
Maybe it's an attitude that simply needs to be accepted and manifested.
Doubts come immediately of course.
But maybe that's part of it too. Maybe doubts are just indications of an immature attitude; one not yet fully formed and adopted. So does this mean that we can simply sidestep these doubts and continue to strive for this all-inclusive attitude?
An attitude that has at its core an unshakeable belief (trust) that there are notes to be played and i can find them.
It's a mystery.
But could it be, that i have yet to spend the requisite time in discovering the connections between these elements? Do i just need to keep going?
By sitting, by contemplating, by paying attention, is it possible to discover and make my own, this connection between an attitude about life and music that sustains me instead of drains me?
If i stumble upon one will it bend to the other?
If i'm able to discover the truth that holds me with respect to the essential life-giving elements, i.e., love, trust, courage, will the musical elements of melody, harmony and emotion follow suit?
Or vice versa. If through this project, i am able to discover precisely the connection between emotion and melody, emotion and harmony, will the truth that holds me up in times of uncertainty and despair come as well?
Labels:
attitude,
brother david steindl-rast,
concentration,
emotion,
lady bird johnson,
letting go,
life,
matter,
mind,
monk,
music,
mystery,
skill,
soul,
spirit,
spirituality,
surrender,
technique,
texas
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