Showing posts with label practice. Show all posts
Showing posts with label practice. Show all posts

Wednesday, September 16, 2009

'It Could Happen To You"

It Could Happen To You.mp3




Ok. this is cheating but it's my blog right?

I'm beginning this blog, on this particular tune after i worked on it a little yesterday. which in and of itself, isn't really cheating.

but i think i have to do the whole thing over.

why?

there had better be a good reason. you're talking to a guy who HATES...Hates to turn around to go back to the house to retrieve something he forgot.
Hates to retrace his steps looking for an article he 'put in a safe place.'
Hates to go back to anything once he puts it to bed.

that said, i think i have to redo this whole tune.

because it doesn't sound good. doesn't feel right. doesn't work.
i keep hearing the way Chet did it.
that lyrical, round-edges tempo
those leisurely pursued changes
that sweet sweet melodic movement

yeah my version (even the practice version mind you...for practice purposes only kind of a thing) doesn't have any of these things. in fact these elements represent pretty much a diametric opposition to the way Chet did the tune. Not good. Not good.

Ok, so let's dive back into it and see if i can fix it.


Later....that same day.....


Turns out i didn't try to fix it. instead i decided to go with what i had in terms of tempo, drum part, keys and bass. I didn't have a vox or a horn part down yet.

i decided this based on a spur-of-the-moment reaction: i know. it doesn't make much sense. don't worry. turns out, it doesn't have to.

I figured, given what i already had down, i had nothing to lose by going ahead and fleshing it out. i could always build out a brand new version of the same tune, one more aligned with Chet's version.


First order of business: figure out why Reaper wasn't showing up in the version that preceded the new one that they told me to download: the one whose major updated feature seemed to be to fuck everything up: Firefox, Itunes, Safari, Word. The friggin OS for chrissakes!

Finally, i got it and it worked. So i hit out to see what i could do with the tracks i had in the can. They sounded ok and appeared to be in sync with each other which meant i had done a decent job copying and pasting the parts i laid down yesterday.

So i set up the mic to roll on a vocal track. Got the lyric sheet in front of me and tapped 'record.' it felt really good to sing the tune. i noticed it was easier to stay in tune. this was good.

But still, i have trouble hearing the bed when i'm singing. there must be a technique involved when recording . i wouldn't know. but i guess i'm going to find out, most likely by trial and error, the last refuge of an idiot.

one thing i did differently: i recorded my voice through several verses, only bailing if i really fucked up bad, i.e., forgotten lyrics, bad intonation, bad timing or rhythm. this is not different from any other tune i had done thus far.

but instead of moving on to the trumpet part, i had a thought about the arrangement. this meant leaving a hole where a vocal solo or a trumpet line would go. this worked out surprisingly well, arrangement-wise, that is.

The trumpet part threw me for a loop. it always does. i need to remember why i am doing this in the first place. it's not ready-to-wear, more like second-hand sportswear.

so the trumpet part went down but not without some moments of a shitstorm. mostly about the piece of crap i'm playing, the difficult playing the good stuff while the tape is running etc.

All this will no doubt continue through the project, through the process.


'You Make Me Feel So Young'

You Make Me Feel So Young.mp3






You make me feel so young
you make me feel like there's songs to be sung
bells to rung and a wonderful

a wonderful what?
a wonderful race to be run?
a wonderful man to be hung?
a wonderful crap that is dung?

no...

the lyric is:
you make me feel like there's songs to be sung
bells to be rung
and a wonder fling to be flung.

yes.

and why do i bring this up, other than to be a clever sot?

cuz lyrics, like changes, can take on an extra layer, deeper than first thought.

the first pass through a tune is nothing to take for granted. i'm thinking here about my own process yes, but also the process i imagine when the writer is creating it in the first place.

don't get me wrong; i think i'm creating something as well, maybe not worthy of quite the originality of the ...er...original, but i am creating something right. I mean i'm not simply dotting the i's and crossing the t's here right?

well, i guess that's arguable. my point is that lyrics, like other elements of a tune, have to be just right in order for the song to fly...to be believable.

we've all heard songs that are all right but somehow don't quite hit it, you know? they miss kind of...they don't exactly make sense, don't compel us, don't draw us in, don't make us buy into the song's deal....

lyrics like those above: they need to be good. and yes there is such a thing as good and bad in this craft. i mean music is subjective (at least the individual enjoyment/appreciation of it) but as the Duke himself said:

"there are only two kinds of music in the world: Good and Bad."

anyhow, i'd love to expound more on this but i gotta move; there are multiple pieces of heavy equipment not thirty feet from where i am sitting in my living room here on 5th street in austin, texas and they are making music that i subjectively can't FUCKING STAND!


Well, turns out, i can't really leave. gotta finish this. i blame it on my puritan ancestry. never mind that i'm 100% Italian.

so, i just listened to the tune again. and this is what i think.
value judgement, value judgement. value judgement.

yeah, i think it pretty well sucks. the vocal is too strained, the tempo too quick (both over my head) and the keys are, well that track suffers from the same sickness as do the ones i laid before; just too much. too crowded. too....tooo.

I laid a trumpet track and what can i say? it's me playing trumpet the best i can. which leaves a territory of space between that and GOOD.

in all fairness though, the horn. let's talk about the horn for a minute.

First off, the trumpet: it has only three valves. three things to push down. three chances to change the pitch to reflect GOOD. hmmm.

can you understand how impossible this instrument is?

Don't worry, I'll wait.

yeah, three valves. to play what...something like 50 possible notes? wtf....seriously.......wtf.

yeah, and that's 50 notes on a good horn; one on which the valves behave themselves., i.e., that don't stick, bind, get stuck or leak? right.

and speaking of leaking....holy shit man. i have been trying to play this damn piece of plumbing for what, like a hundred years...since 6th grade right?

and i've never...ever heard of a horn that leaks. i mean leaks, as in spit, water, you know?

but this one, this broken down ancient student model Bach 1001 series with its tired valves and its bent and hammered and soldered bell, and its misshapen lead pipe and its wide ass clearance slides...

which brings me to the leakage.

now you'd expect a horn, if it's gonna leak, to spew from a faulty cork, perhaps on the spit valve. right? right.
no

this one leaks from the tuning slide. yeah, the tuning slide. that huge crook that comes off the lead pipe and connects the mouthpiece to the valves and eventually the bell. damn. i mean i never heard of this let alone saw it before let alone had a freakin horn that exhibited it...for God's sake.

anyway, on top of not being able to play a convincing solo on "you make me feel so young" the fucking horn is leaking spit on my feet!
and as a consequence, sounds like crap. all breathy and out of tune.

yeah man. some day. some day. some day i'm either gonna stop dicking around with shitty horns, or throw the thing under a bus.

and thus, you have my rant-o-the-day.

yay for you.

incidentally, i did get a decent trumpet track down for this tune and keeping in mind the reason i'm doing this in the first place (to develop a practice vehicle for Chet's tunes) it's all good.

i can move on to the next tune taking with me, dragging behind me, my ever growing sack of musical updates: piano fingering, chord placement, harmonic rhythm, trumpet technique and bass-on-a-piano chops.

yeah good luck with that.

Next Up.......the title track for one of my favorite Chet albums: "It Could Happen to You."